![]() (That’s actually reassuring, as they’ve had more access to Reaktor 6 than most people, which gives them additional time to work this up!) Now, as it happens, the strong NI presence there is because this comes from inside NI. ![]() Obviously tracking is not perfectly accurate without calibration – in my case it was off 1 semitone over 4 oct. ![]() Since its output voltage range is roughly ☑0 V you get approximately 1 V/oct. The pitch scaling in Reaktor Blocks (value of 0.1/oct) plays nicely with the ES-3. No quantization used on the hardware side. Maschine joins the party with bass drum, hi-hats, and rim shot.Īll control signals from Reaktor Blocks are directly routed to the Eurorack modular synthesizer via DC-coupled converters (Expert Sleepers ES-3). All sequencing and modulation coming from Reaktor Blocks, except for some humble human interaction. Oh, yeah, and I found myself bobbing around to this, which is always a nice feeling.Ī bunch of Bento Box 8 Steps sequencers disturbing each other and controlling a Eurorack modular synthesizer. What I think they have in common: an investment of time in getting expressive with good software or hardware can be long-lasting. Here’s a lovely jam as Reaktor 6 (itself applying good Eurorack design lessons to software) meets up with a reasonably compact hardware setup. Can you combine computer software with analog hardware? Can you route control signal from computer software to hardware? Can you combine something accessible with a grid (like a drum machine) with more advanced, open-ended machines with wires? Yes, yes, and yes.ĭoes all modular synthesis stuff sound like indecipherable noodling? Do you have to make a religious decision between analog and digital, hardware and computer? Do all modular setups have to be sprawling rigs that eat up all your money and home? No, no, and no. Reaktor Blocks Love Eurorack from listentoaheartbeat on Vimeo.
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